£22.99 – LP
“If you stick to just what you know, your music, your art or whatever your situation is becomes stagnant”, say Denmark’s Lowly. “And we wouldn’t like to miss out on anything, just because we felt too comfortable”.
A band unafraid to reach beyond their comfort zone, Lowly thrive on the embrace of doubt and curiosity. An inquisitive spirit drives the quintet’s second album, which evolved from an open-ended process in large spaces, from lost factory halls to water towers. Hifalutin brims with suggestive discoveries from its title onwards. Dictionary definitions include “pompous” and “larger than life”; the word is also antonymic with the word lowly. However you take it, the result is the work of five people expressing themselves freely as a tight collective: focused, yet fertile with possibility.
Warmly received, Lowly’s debut album, Heba (2017), was a feast of dramatic dream-pop. Yet Hifalutin is more ambitious still. The album was primarily recorded in a warehouse just outside the city of Aarhus. Band members recorded their parts as individuals and as a group; meanwhile, the producer, Anders Boll, placed microphones in nooks and crannies of the enormous space, all the better to highlight the dynamics between the band members.
A willingness to turn their backs on accepted frames of practise, for both recordings and performances, has characterized Lowly since their formation in 2014 at the music academy in Aarhus, Denmark. Last autumn, they played a concert in Brønshøj Water Tower, in the suburbs of Copenhagen, where the reverb was long and pronounced. The band had to carefully reconsider which notes and chords they could play; too many tones would muddy the sound. Pieces from this concert would find their way to Hifalutin.
Hifalutin is an album of many entrance points. After the glistening come-hither to wandering minds of “Go For A Walk”, “Stephen” reflects on death, inspired by the loss of Professor Stephen Hawking. The warm trip-hop currents of “Baglaens” (“backwards”) contrast sharply with the buoyant beats cluster of “Staples”. “i” resembles a hymnal Stina Nordenstam, constantly seeking new ways into a song, while the alt-R&B-ish “In The Hearts” offers an unguarded paean to connectivity: as Lowly put it: “It’s about the magnificent power of love that transcends everything and connects us all”.
With each band-member’s input emphatically felt, “Out Beyond” locates a sweet spot between the synthetic and the organic in its interplay between trance synths and Spanish guitars. The momentous crescendo of “Children” and the strange pulses of “ii” showcase Lowly’s powerful, experimental range; meanwhile, the echoing piano of “Delicate Delegates” finds them at their most beautiful. “Selver” offers space to breathe and “12:36” revisits the dream-dotted paths of Heba, before the sublime synths of “Wonder” bring the album to an immersive, expansive climax.
These diverse songs find hidden connections to each other through the chemistry between the sounds and Boll’s productions. And, of course, through the literate, abstract lyrics, which include references to works by experimental poet Inger Christensen and Persian poet Jalal ad-Din Rumi. “Our lyrics consist of images and scenes that briefly glide into one’s field of view, and then disappear again” co-lead singer Soffie Viemose explains. “We’d rather show something than say something quite literally”. An invitation sent from and to curious minds, Hifalutin is luminous modern pop at its most delicate and robust, assertive and open-ended. You wouldn’t want to miss out.
- Go For A Walk
- In The Hearts
- Out Beyond
- Delicate Delegates